Deathnology: A Furry Practice of Soft Death
published at Institute of Network Cultures
2026
Deathnology: A Furry Practice of Soft Death explores how furry practices, avatars, and digital identities
can allow people to temporarily shed socially assigned identities and experiment with alternative forms of embodiment.
Through the idea of “soft death,” the text frames transformation not as an ending but as a way of creating new possibilities
for the self, connecting digital role-play, queer identity, and physical performance.
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The Forest Was Never Neutral
published at Tausend Editionen
2026
The text examines hunting as a cultural and political practice through which power over animals, land, and people has been
historically organised. Focusing on representations of hunting, particularly the figure of the dog, it traces connections between gender,
aristocratic hunting laws, colonial violence, environmental governance, and industrial power, showing how systems of domination can
become aestheticised and appear neutral. It ultimately questions how responsibility and agency are displaced when violence is mediated
through images, institutions, technology, and ideas of conservation.
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backseat: Long road home
published at zwischentext
2026
A late-night car journey in which physical injury, family memories, intimacy, violence, and childhood memories blur together.
The car becomes both a confined domestic space and a container for unresolved relationships, where the narrator moves between present
reality, memories, imagined conversations, and fragmented scenes. Through this shifting perspective, the text explores family, love, anger, and
the ways places can hold contradictory experiences, before finally returning to the simple act of arriving home.
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Ponytail
published at Hours Gallery Space
2026
Exploring girlhood through the metaphor of the ponytail, connecting readiness, maintenance, exhaustion, and forms of collective identity.
Through an imagined late-night online conversation, the authors question the polished image of the “ready” girl and introduce the “messy girl” as her
counterpart—not simply as a form of resistance, but as a figure of exhaustion, vulnerability, and solidarity. Girlhood emerges as fragmented and
constantly negotiated through online culture, algorithms, personal expression, and shared experiences.
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blue_122223.wav
published at 6 minutes past 9
2026
This work thinks through colour perception, particularly the experience of seeing blue through the lens of colour blindness,
and challenges the idea that technology can provide a single “correct” way of seeing. Moving between sensory memory, sound,
imagination, hunting, and optical technologies, it connects the desire for visual clarity with broader ideas of technological progress,
distance, and control. It ultimately proposes closing the eyes and embracing ambiguity as a form of resistance, where perception
becomes embodied, speculative, and open to other ways of experiencing the world.
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Fury Hunt
published at Arts of the Working Class
2025
The text explores hunting dogs as figures of fluidity, using their position between nature and culture to reflect on
queerness, identity, and survival. It considers how dogs are trained to perform human desires within systems of hierarchy and
violence, while their capacity to shapeshift and remain sensitive to their surroundings creates another form of agency. Hunting
thus becomes a space where identity is continually performed and adapted, suggesting that survival can emerge not through
escaping imposed roles, but through remaining irreducibly animal, relational, and capable of becoming.
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The queer dog: Ultrasonic Writing for Love Hunters
published at Dutch Art Institute Thesis
2024
The queer dog: Ultrasonic Writing for Love Hunters explores hunting practices and their influence on gender,
landscapes, and human–non-human relations through theoretical, autobiographical, fictional, and experiential forms
of writing. It introduces “ultrasonic matter” and “in-betweenence” as speculative concepts for thinking about queer identity,
survival, and shapeshifting within colonial and cultural structures. Drawing on the author’s upbringing within Portuguese
hunting traditions, the thesis ultimately invites a reconsideration of how we relate to bodies, environments, and non-human beings.
available on request
From the screen. Back to your(self).
published at Solipsism Mag
2023
How did digital spaces transform intimacy, particularly after COVID-19, by blurring the boundaries between private and public life?
The text works throught this question through examples of avatars, video games, social media, and PinkyDoll’s NPC performances,
while exploring how intimacy can be created, performed, and even commodified beyond physical presence. Ultimately, it suggests that
digital forms of connection can complicate our understanding of desire, identity, and closeness, opening possibilities for new ways
of relating to ourselves and others.
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HistoricALL! A collective rewriting of design history
published at Onomatopee
2023
A collaborative project and riso-printed publication by publisher Onomatopee, curator Cecilia Casabona, and platform.
Futuress that explores inclusive, less institutional ways of approaching design history.
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